Port Aransas – The sound of waves crashing on the shores of the Lone Star State is a sound that always puts the mind at ease. Feeling the warm sun on your face while smelling the salty sea air calms the senses, and it’s really the perfect place to find some peace of mind. And if you need to add a little divine guidance to this reflection, there’s a Chapel on the Dunes down here that can serve that purpose. “I don’t think you walk through that door and leave untouched,” said JB Smith.
Smith is a docent for the Chapel on the Dunes, and this gig is a great joy compared to her day job. “A distraction from my life as an attorney,” said Smith. “This is just a little bit more of an opportunity to bring humor and joy than I typically get to show in court.”
This small white chapel literally sitting on the dunes of Port A has been watching the sunrise over the gulf since 1937. “It did really well in Hurricane Harvey,” said Smith. “I remember one of the old windows behind me had a pane of glass missing. That’s about it.”
This small space that so many are sentimental about was the idea of Texas poet Aline Carter. “I love a hero’s story, and I can’t believe that I just stumbled into being able to share the mission of, I call her a Renaissance chick,” said Smith. “I do the Renaissance chick tour of the chapel. And I can’t believe that I’ve had the opportunity to share her passion for life. She was a truly amazing woman, one of those unsung heroes who gets a little lost in the hands of time.”
Born in San Antonio back in 1892, Aline was appointed poet laureate of the State of Texas in 1947. Her work required a quiet place to reflect, so in the 1930’s she commissioned the Chapel on the Dunes as part of the Works Progress Administration, or WPA. “She built this chapel and invited the children of the island to come for Bible stories,” said Smith. “And if you came, she served you ice cream and cake, at a time in the late ’30s through World War II when those supplies were difficult to come by and this would not have been an island where the families typically would’ve enjoyed the refrigeration to have ice cream on a regular basis. So she was doing something pretty special for the kids.”
Back in those days, the chapel looked a little bit different. “She painted a white chapel and that was what she wanted in the ’30s,” said Smith. “But I think that she would have just loved what her chapel has become.”
The frescos you’ll find here were painted by John Patrick Cobb back in 1978. “When he started this work. He described himself as a crummy guy, a guy full of dark spirits, and I sense the connection in these frescos is one of spirit,” recalled Smith. “When you look at the spirit in Daniel and the scales of justice and his dreams and Job over here beseeching his maker to explain his trials, I think very much the spirit is the connection with most of these works that he chose to put up here.”
Cobb’s work in the chapel serves as a representation of his own spiritual journey. “He had a spiritual conversion. He describes the Bible verse straight ahead as the verse that really commanded him in his work,” said Smith. “The verse is one that the world probably needs more today than ever, which is that ‘When we love one another, God lives in us and His love is complete in us.’ And Aline would’ve believed the exact same thing.”
Every part of the walls and ceiling has some sort of art on them, and most of them have a religious connection. “It starts with the Old Testament, a creation story over there,” explained Smith. “The Carters asked John to please leaf up Adam and make Eve a little less obvious. And then this is the father being commanded to sacrifice his son. And at different times of the day, the angel who’s holding dad’s arm with her right hand is more or less obvious. And then we come around to the New Testament here, and in the back it’s Revelations.”
But John did take a few liberties. “He’s got the Bay of Corpus Christi with an alligator, so it wasn’t strictly a religious presentation,” said Smith. “Over the altar is the apostles and they’re on the Bay of Corpus Christi. So he wasn’t strictly holding himself to a religious story.”
While not everything sticks to the scripture, people still come to this place for peace and Smith has had several instances of sort of divine guidance as when to go open the gates. “Somehow knowing people who need to come in the chapel,” said Smith. “I’ve probably just randomly greeted two or three people over the last two years who just needed a space. They just needed to be here. So I’ll just let them in and let them spend some time here. And to a person, they’ve said that that experience was just what they needed.”
While this chapel on the dune doesn’t dominate the seaside landscape of Port A, it still provides the perfect place to center oneself and apricate a little art. “I think it shows us all how we can do small things with great love,” said Smith. “Not many of us consider what will be our legacy other than the kids we raised and their families. But to me, this is such an amazing legacy that Aline Carter and her family share with everyone who comes here.”