San Marcos – San Marcos has always had the reputation of being a college town thanks to Texas State University calling this part of central Texas home since 1899. 35,000 students roam this campus seeking a higher education and if they need some quiet time, the Albert B. Alkek Library is the place to be. But if you head to the 7th floor of this intellectual hub, you’ll find more than just a place to study; you’ll come across an incredible collection that preserves the cultural heritage of Texas. “We are devoted to what we call collecting, preserving, and sharing the creative legacy of Texas and the Southwest,” said David Coleman.
David is the director of The Wittliff Collection. “What Bill really wanted to do when he set this place up was inspire young people to become creatives,” said David.
The collection was founded in 1986 by Bill Wittliff, a Texas native who had a hand in writing several movies including Red Headed Stranger, Barbarosa, Legend of the Fall and The Perfect Storm. “(Bill) wanted to always be a creator and a storyteller,” said David. “He knew from a very young age that stories and storytelling was what he was meant to do.”
Wittliff got his start in storytelling by establishing the Encino Press, and that lead to meeting an author synonymous with the Lone Star State. “Bill established this press in ’63. And then in 1968, he published a book by Larry McMurtry called In a Narrow Grave,” said David. “He and Bill really hit it off well. They were Texas guys. They had read the same books growing up. So when, eventually, it became time to choose someone to adapt the novel to the screen, Bill was a natural choice.”
Bills’ work in the world of film ended up being the foundation for the largest exhibit amongst the collection. “One of the remarkable collections that we have, Lonesome Dove here, is all due to Bill Witliff, who was co-executive producer, and he’s the one who adapted Larry McMurtry’s novel to the screenplay,” said David. “And he hired a bunch of ‘Texas guys,’ as he always said, to stay true to the story. And he would always say when he was filming, that, ‘If we stay true to Lonesome Dove, Lonesome Dove will stay true to us. I can’t tell you how many people come in here, and either they’ve got a dog named Gus or a kid named Gus or something like that. And people are buried with copies of Lonesome Dove in their coffin. And it’s a story that was amazing for its time, and won the Pulitzer Prize, and then the film really just touches the hearts of so many people.”
It seems like Bill was working on the Lonesome Dove series with the foresight that people would want pieces of the show preserved for future generations. “The reason we have these incredible costumes, props, costumes, and more from Lonesome Dove is that Bill was kind of collecting while he was filming, and while he was making the mini-series,” said David. “He was on set every day, and after they would wrap one production location, he would beg, borrow, and steal, I always like to say, from those production sites to then add to this archive. Sometimes it’s that culture that binds us more, especially in these times. It’s that culture. There’s cultural moments like Lonesome Dove that bind us all together, and remind us of how important it is to carry the history and treasure the history of Texas.”
Most of the pieces in the Lonesome Dove collection have stories behind them that will resonate with fans of the series. “This is a little creepy,” said David. “Kind of funny and kind of creepy all at the same time. If it’s been a while since you or your audience has seen Lonesome Dove or read it, spoiler alert, Gus dies partway through the film. And it’s up to Call, Woodrow Call to bring him back all the way to Texas from Montana. And this is one of the dummies used that kind of falls apart as Call is bringing him back to Texas. The props department played a little joke on the folks who were working with it, and put a little glass eye inside the costume. Not that that was ever on-screen. But if you look at it, it kind of freaks some of our visitors out.”
Having a collection of memories from such an important piece of media for Texans means that visitors often come with a lot of emotions. “It’s hard not to love Lonesome Dove and the Lonesome Dove archive,” said David. “There’s a lot of magic, and to see people’s expressions when they come and see that exhibition, it’s really amazing. I’ve seen so many grown men cry over Gus’s body that we have here. And it’s pretty remarkable.”
The Wittliff Collection isn’t all about Lonesome Dove though, as there are all sorts of Texas stories here. “Here, we have the amazing King of the Hill,” said David. “We have the King of the Hill production archive donated by Jim Dauterive, who was executive producer and writer and showrunner for the show after Fox canceled it.”’
When it comes to cartoons, you can’t really get much more Texan than King of the Hill. “Gosh, we love King of the Hill,” said David. “The kids here at Texas State love King of the Hill. One of our favorite things about it is what we have front and center is this bible, as it was called. It was a guide to the writers all about Arlen, Texas, which of course doesn’t exist, but it certainly exists in a lot of Texans mind. It was about how the characters would act, what the characters would say, how to draw the characters, what they would look like. Things to do and things to never do or have these characters do.”
While movies and media have a massive presence here, there’s also an incredible photography collection and you can find things from many Texas singer songwriters like Gary P. Nunn’s iconic lyrics to London Homesick Blues, Jerry Jeff Walker’s hat, and even Guy Clark’s ashes. “For any true Texas music fan, this is a must see,” said David. “These are the last mortal remains of Guy Clark, the Texas Singer-songwriter. A piece done by another singer-songwriter, Terry Allen, who donated it to us. Willed his ashes to Terry and wanted Terry to make a sculpture somehow using those ashes. If you look real close on the rock that the crow is standing on, and even on some of the feathers of the crow, you’ll see these gold flecks, kind of gold dust. And those are Guy’s ashes. He opened up the crow’s chest, and put the rest of guy’s ashes inside the bird. For Guy Clark fans, this is a place of pilgrimage for everyone to see.”
The Wittliff Collections are truly a unique assortment of cultural artifacts, not just because of the access that Bill had to so many creatives, but because of what he chose to keep and display at the museum. “Bill was really committed to collecting things that made artists seem human, and just seem like you and me in some ways,” said David. “So kind of noting that source of inspiration, that spark of creativity, but then also showing the human side. We have Stevie Ray Vaughan’s sobriety journal, for example. So showing the human side of what these creative people, how they live their lives is really important, we think.”
To see so much of what makes Texas, Texas, in one place is truly a treat for any fan of the Lone Star State because learning more about who we are is always well recommended on The Texas Bucket List. “J. Frank Dobie, who was an old folklorist and taught at UT Austin for many, many years, and he said that people would lead richer lives if they knew a little bit more about the place where they’re from, basically,” said David. “So we’re hoping, if anyone can learn a little bit more about Texas, well, they’ll lead a richer life.”